DikoS â€“ Digitalisierungskonzept fĂĽr SteinbrĂĽche â€“ die rĂ¶mischen MĂĽhl- und BausteinbrĂĽche der Osteifel
Ziel des Projekts DikoS ist es, ein Digitalisierungskonzept fĂĽr unterirdische Bergwerke und obertĂ¤gige SteinbrĂĽche zu erstellen. Die angestrebten Digitalisate sollen derâ€¦
von Pilgrim, C.,
From autumn 2010 to spring 2013 the German Archaeological Institute and the Swiss Institute for Architectural and Archaeological Research on Ancient Egypt continued the investigation of the city and temples of Elephantine (Aswan). The preliminary report presents the results of some of the projects conducted during this period.
As part of the ongoing rehabilitation work at the museum buildings located on the island of Elephantine, excavations were conducted near the northeastern limit of the ancient town. Among the earliest remains found in the area is a well preserved section of the city wall of the late 2nd dynasty. Outside the perimeter of this wall Nile sediments dating to the Old Kingdom were identified, as well as settlement remains of the 6th to 12th dynasties. Several pottery kilns of the early Middle Kingdom were discovered here. A later city wall appears to have been constructed during the reign of Senwosret III and it seems to have existed until the early New Kingdom.
The documentation and study of the relief blocks originating from the Khnum temple of the New Kingdom was continued. Many of the blocks can be attributed to the temple house, the courtyard and the first pylon built by Thutmosis III, as well as to the festival courtyard which was added by Amenophis II. Some of the blocks appear to originate from other, so far unknown buildings of the temple complex, including a cult building of Thutmosis I and II, a barque station of Hatshepsut and a construction of Thutmosis IV.
The aim of another project has been the investigation of workshop areas of the Late Antique Period. During the excavation of a house dating to the 5thâ€“9th centuries AD, evidence for the baking of bread, the keeping of animals and the production of granodiorite bowls has been found. Nearby an oven used for smelting non-ferrous metal was identified. Fragments of melting pots, casting molds and slag provide information on the production process.
The workshop and milling complex in Terrace House 2 comprises seven mills and one stone-sawing machine. Each were powered by a waterwheel. Based on the different features, it is possible to identify three building phases. The first comprised at least two mills powered by two independent waterwheels. The second had at least one mill. In the third phase five waterwheels drove four mills and one stone-sawing machine. In addition, it is possible to distinguish between two different types of waterwheel constructions.
Cultural Heritage (CH) visualisations have to be understood as a combination of research sources, the contemporary historical and cultural context (Zeitgeist), project background and work process. All available information is collected, consolidated, filtered and assembled into a coherent picture. In case of digital 3D reconstructed models, the result is a digital data set that can be processed for different application fields. They are understood as a result of a complex creative process and as a synthesis of a CH research project, its CH context, the available research source material, and the modeling process itself. For all visualisation types in CH different conditions, factors, and basic rules apply to achieve a high quality result. Two examples are presented illustrating the structured view on visualisation projects as such. This paper seeks to differentiate the various research sources being the basis for digital 3D reconstructed models and defines work phases allowing a quality assessment. Furthermore, the potentials of including this structured view into the ontology COSCHKR currently under development is discussed. In combindation with traditional guidelines COSCHKR platform could open up new and flexible approaches.
Die luxuriĂ¶s ausgestatteten Wohneinheiten des am Nordhang des BĂĽlbĂĽldaÄź gelegenen Hanghauses 2 wurden im 3. Viertel des 3. Jhs. durch eine schwere Erdbebenserie zerstĂ¶rt. Statt die Wohnungen wiederaufzubauen, wurden bereits kurze Zeit nach der verheerenden Katastrophe mit Wasserkraft angetriebene MĂĽhlen eingerichtet. Im Befund sind insgesamt acht Wasserradgerinne mit jeweils einer zugehĂ¶rigen MĂĽhlstube bzw. Werkstatt erhalten. Sie lassen sich drei Bauphasen zuordnen, die in das 4., 5./6. und Ende des 6./Anfang des 7. Jahrhunderts datieren. In der am besten erhaltenen Phase sind insgesamt fĂĽnf RĂ¤der hintereinandergeschaltet. Neben einer SteinsĂ¤ge wurden vier MahlgĂ¤nge zur Mehlproduktion angetrieben. Eine groĂźe Personenanzahl konnte so mit dem wichtigsten Grundnahrungsmittel versorgt werden. Die MĂĽhlenanlage wird in den stĂ¤dtischen Kontext von Ephesos gesetzt und mit anderen MĂĽhlenanlagen verglichen.
Le Goic, G.,
The ChĂ˘teau de Germolles is one of the rare palaces in France dating from the 14 th century. The noble floor is decorated with wall paintings that are a unique example of courtly love spirit that infused the princely courts of the time. After being concealed sometime in the 19 th century, the paintings were rediscovered and uncovered in the middle of the 20 th century and partly restored at the end of the 1990s. No scientific documentation accompanied these interventions and important questions, such as the level of authenticity of the mural decorations and the original painting technique(s) used in the medieval times remained unanswered. The combined scientific and financial supports of COSCH COST Action and DRAC-Burgundy enabled to study Germolles' wall paintings using some of the most innovative imaging and analytical techniques and to address some of the questions raised. The study provided significant information on the material used in the medieval times and on the conservation condition of the paintings. The data collected is vast and varied and exposed the owners of the property to the challenges of data management.