Seit Anfang November 2018 ist das neue Portal "Kleine FĂ¤cher" online. Das Portal wurde unter dem Aspekt der Nutzerorientierung vollstĂ¤ndig neu konzipiertâ€¦
Kulturerbeeinrichtungen sind wie Fallschirme: erst wenn sie sich Ă¶ffnen, haben sie ihren Zweck erfĂĽllt
Am Samstag, dem 27. Oktober, startete mit einem groĂźen Kick-Off in Mainz der Kulturhackathon Coding Da Vinci Rhein-Main, unter anderen organisiert vonâ€¦
The disaster response still faces problems of collaboration due to lack of policies concerning the information exchange during the response. Moreover, plans are prepared to respond to a disaster, but drills to apply them are limited and do not allow to determine their efficiency and conflicts with other organizations. This paper presents a framework allowing for different organizations involving in the disaster response to assess their collaboration through its simulation using an explicit representation of their knowledge. This framework is based on a multi-agent system composed of three generic agent models to represent the organizational structure of disaster response. The decision-making about response actions is done through task decomposition and repartition. It is based reasoning on ontologies which provides an explicit trace of the response plans design and their execution. Such framework aims at identifying cooperation problems and testing strategies of information exchange to support the preparation of disaster response.
Dieser Beitrag beschreibt die a priori AbschĂ¤tzung erreichbarer Genauigkeiten der BĂĽndelblockausgleichung. Dies geschieht mit Hilfe des EMVA1288 Standards. Durch numerische Simulationen wird hierzu zunĂ¤chst die Zentrumsunsicherheit der Zielmarken mit der daraus folgenden Objektraum-Unsicherheit verknĂĽpft. Der nĂ¤chste Schritt ist eine VerknĂĽpfung der EMVA1288-Kennzahlen und der daraus resultierenden Unsicherheit eines Grauwertes mit Algorithmen zur Ellipsendetektion. AbschlieĂźend wird ein stochastisches Modell vorgeschlagen und an einer real durchgefĂĽhrten Kamerakalibrierung untersucht.
The activities of COSCH community and the disciplines it represents were as diverse as they could possibly be in research into cultural heritage. To achieve common goals it was of utmost importance to have a common understanding of these diverse activities and disciplines. Work on the COSCH Knowledge Representation, or COSCHKR, was undertaken to develop a common semantic base representing different disciplines and to facilitate communication within the Action. The COSCHKR is an ontology-based inference model, guided by inference rules that provide a semantic bridge between various interdisciplinary activities involved in non-invasive technical documentation of material cultural heritage. The model is intended to support humanities experts by recommending optimal spatial and spectral techniques. The model may also be used by technology experts to compare their own solutions with the ones recommended through COSCHKR, and to understand why they may differ.
In this chapter we present the methods adopted for designing the COSCHKR and the steps in the development of the inference model. The difficulties in maintaining a common level of understanding within the diverse disciplines during the knowledge acquisition process are discussed. We present mechanisms and methods of information collection, its structuring, and aligning, to formulate different axioms and theorems within the model. The design and development of COSCHKR was based on an iterative procedure where the gathered knowledge was first verified with the group of experts before it was processed. This verification mechanism was important for the reliability of the model, ensuring technical consistency. This chapter highlights the importance of these iterative mechanisms in the validation of knowledge gathered and then information populated inside the knowledge base.
The aim of this study was to examine and document the wall paintings in the ChĂ˘teau de Germolles. Situated in Burgundy, France, Germolles is the best preserved residence of the Dukes of Burgundy and was listed as a monument of national importance in 1989.
The medieval wall decoration of the ChĂ˘teau de Germolles was rediscovered under the nineteenth-century plasters during World War II. Medieval accounts of the chĂ˘teau provide a detailed list of the materials acquired to make the mural decoration, but this list is incongruous when compared with the current appearance of the paintings. The discrepancy between the archival and material evidence, and also the need to understand the complexity of the painting technique used were the main motivations for undertaking the case study described in this chapter. Imaging alongside more traditional examination techniques were utilized to record and document the mural decoration. The objectives of the case study were to distinguish the original materials from those applied during restoration, identify those materials, and correlate them with the archives. We also tried to understand the medieval painting techniques used and assess the condition of the paintings and stabilization requirements. Finally we aimed to find a sustainable solution for the management of the various types of data collected. Various techniques and investigations offered valuable insights into the materials and the painting technique used. To improve visitor experience, based on the information gained in the course of this study, a 3D virtual representation of the original decoration is currently proposed for display to the public visiting the ChĂ˘teau de Germolles.
M. de Almeida,
Accuracy, Artefact, Feature, Precision, Reconstruction, Resolution, Texture, Uncertainty are words central to many discussions of the documentation of CH. This chapter charts the interdisciplinary discussion towards a common understanding of terminologies used in CH. It is a discussion that recognizes critical differences or common misuse, and aims to contribute to a shared understanding that may be useful for all knowledge domains in the field.